The way that you have numbered your lines, there is no place for anyone to add anything; of course you may consider your program "finished" and not want anyone to get under its hood but there is something to be said for user freindliness. I can't wait to test it out and I'm sure your program is great but the code could be more readable.

Nice entry. I played for a little while, and can see where an elementary school student could find it fun and educational. I was expecting to see a much larger listing, so congrats on being so spare. While some may not like this style of programming, it looks as though the author was trying to achieve "10 lines or less." The off-line documentation - quite detailed - makes up for it.

Very nice and especially impressive that you squeezed it into 10 lines. I can't wait to try it with sound.

The main reason for making the code so compact is the limited amount of memory in the Model T.

I also find enjoyable the intellectual exercise of squeezing out every byte possible. I hope that the included commented source code will help others in compacting or otherwise optimizing their code.

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Once upon a time, I turned pages for Jamie when he performed the Kreutzer Sonata at a studio class. This was before I played it myself, so I was unfamiliar with the theme & variations movement. There's one particular variation which is 2 straight pages of 16th notes, and 2 repeats. I made the mistake of glancing away from the page for a second, and discovered to my horror when I looked back that I couldn't remember a) where we were, and b) whether we had done the repeats. I ended up half-standing & hovering for what seemed like an eternity, with Jamie kindly giving me subtle no shakes and finally a clear yes nod.Then there was the time that I turned for a friend playing in a vocal recital @ Scotiafest. He asked me at the last minute as a favour, so I accepted, forgetting that I was battling the remnants of a nasty cough. There's nothing like being on stage and NOT BEING ALLOWED TO COUGH that will make you want to cough up a lung. I managed to get through the entire thing without once coughing during a piece, but then had a friend in the audience comment on the odd expression on my face at various times.

Once I received a call offering me a decent sum to turn for a pianist for a chamber music concert. I was pleased to finally get paid for something I'd been doing pro bono for years. I got there early and met with the pianist. He seemed high-strung but some people are before a concert. I clarified repeat issues with him and he assured me he was a clear nodder.The concert began and I soon saw why he was so high-strung; his mediocre technique and limited musicality made him a bad choice to play the well-known Beethoven and Brahms trios he was tackling (almost literally, football player style). We got towards the end of the first page and he did not nod. I figured, Maybe he likes memorize the beginning of the next page and have late turns. Nope as we reached the last two beats he abruptly turned his heard toward me and, in a low, gruff voice barked, Turn! This disagreeable ritual was repeated for most of the performance. I thought it might have been less disruptive for him and the audience to nod as he said. No such luck. I made it through and didn't mess it up, but he really unnerved me and I dare say I was very deserving of my pay that evening.

Hazel thanks for your note. (LOVE The Sartorialist!!). All black is often the default colour because it's the easier to unify (imagine an ensemble full of slightly different shades of red), it's easy on the eyes, and the audience tends to focus more on the music than if the ensemble were wearing different colours. The problem with saying go for it, wear any colour is what one person considers stylish another will consider completely inappropriate. There there's the issue of colour clashing. And in classical music, there are known stereotypes about what kind of dress is associated with certain types of music. Opera performers (and audiences) tend to go all out with style and flamboyance; Baroque performers (and audiences) tend not to consider fashion a big deal and are very low-key with their apparel. Ultimately, no, I don't think ensembles should be able to wear any colour; then it looks like a rehearsal.

Liz is not just ANY page turner. Liz is the Heifetz, the Pavarotti, the veritable Yo-Yo Ma of page turners. She is the kind of page turned who, if I was completely fumbling a difficult passage, would suddenly have an uncontrollable puking fit so as to draw attention away from my screwup. She also knows exactly how many pieces of sushi you might need at intermission. At least that's my experience; your mileage may vary One last bit of clothing advice for page turners: No dangly loose jackets. I once played a whole violin recital with silk caressing my left cheek at every turn. I'm not saying I didn't enjoy it, but it was kind of distracting.

1.What types of things did the first website ask you to do?The website tells us to read a reversed paragraph in 60 seconds.2.On a scale of 1- 10 how successful were you in completing the tasks? 73.What made completing the task difficult?The letters were reversed, but I made out the words little by little.4.What could the web designer have done to make the site more accessible to you?They made it helpful by informing me of the reversed speech.1.What types of things did the first website ask you to do?It asked me to multi-task.2.On a scale of 1- 10 how successful were you in completing the tasks? 73.What made completing the task difficult?Doing two things at the same time.4.What could the web designer have done to make the site more accessible to you?They could have made it less difficult.

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